anthony galvin

SPORT

Putting the wicket to bed

It’s October. Unseasonably hot. The ‘rec’ busy with the usual early morning Sunday traffic. Tired looking fathers push energetic toddlers on the swings and dog walkers hurl mauled tennis balls vast distances with the aid of semi-prosthetic tools. The sound of the Sunday  morning footballers can be heard from over the hedge that separates the cricketers ‘oval’ - though in reality the cricket ground is far from a shape that can be easily described by conventional geometry -  from the more rugged footy pitches on the far side of the rec.

But on this bright, late  summer early autumn morning there’s a another sound; a mower is working one end of the tired looking square. On the other side a scarifier is churning away - scarring the wickets with it’s metallic teeth, and tearing at the turf that is seen, by some villagers (if not the local foxes) as semi-sacred ground. 

For Stewkley 1st XI the season is over, a slightly misleading name, as there’s only one team on a Saturday these days. By most measures the season has been one of mainly downs, with a second successive relegation only avoided by a rare win on the final day of the season. Next year another assault on the four counties div 3 title awaits. But that’s along way off. For now there’s some work to be done, putting the wicket to bed. 

A group of men are trying to coax the ancient petrol mower back to life. It’s shed some critical bolt into the grass box, a grass box which has already been emptied into a huge pile of cuttings on the far side of the boundary. There’s much cursing and encouragement as the ‘old girl’ is primed and the hand start is repeatedly ripped with huge effort and little success. A quirk of the device is that each ‘start’, false or otherwise, requires the entire starting mechanism to be rebuilt by hand. A process that seems to take an eternity. Eventually there’s a rumbling cough and the green goddess sparks into life and trundles off down the wicket. Despite her age and infirmity, the cut of the whirling blades is neat and efficient.

The square hasn’t seen many big score this year. Often a little ‘green’ and far from flat (the ordinance survey could run a training course identifying all the ridges that run over the 12 or so strips)), visiting teams know that anything over 150 is going to be a potentially winning score. Teams who reach 3 figures batting first always fancy their chances. Especially if there’s been some overnight rain (there are no covers) or it’s a cloudy atmospheric day. This isn’t a ground for the batting purist, but for the ‘grafting’ batsmen who plays the ball as late as possible.

Yet it isn’t the worst wicket in the league and the ‘rec’ certainly isn’t a bad place to play your cricket. On a good Saturday the benches and chairs by the squat brick pavilion are filled with spectators, never short of encouragement and, sometimes direct advice. Surrounded by trees - with a couple encroaching within the boundary at the far end (only 4 runs should you clip one of those with a lofted drive) and sitting  on the edge of the village, it’s a sometime bucolic scene. The (inattentive) fielder can watch buzzards and red kites hunt in the adjacent fields and tractors buzz along the Soulbury Road, a short hit over the boundary. 

Today though there are no spectators or men in white. Instead on the edge of the ‘artificial’ there’s a large pile of top soil and a bag of grass seed being mixed up, ready to top dress the square. Perhaps as an offering to the cricketing deities for more runs next year - and certainly for more consistent bounce. Though perhaps some of the bowlers are less sincere in their devotions. Wickets seem easier to come by when you don’t know if the batsmen is unsure if a length ball will shoot onto his the toe or rear up to under his nose.

The mower falls silent again, and whilst a committee of elders try and formulate a plan for one more start the younger members of the work party begin an impromptu game on the edge of the cut strips. A old tennis ball is found and a broken shovel commandeered for a bat. There’s some edgy drives, the weight of the blade and the post season rustiness combining to give catching practice to the close circle of fielders. The old machine is back in action and the game breaks up to scatter the soil, seed and odd stone over the freshly manicured ground.

And then it’s done. The rope is up around the table, suspended strangely at head height from metal poles - a test for for those wending their way home across the ‘rec’ from a  late night session in The Swan. There’s time for a quick beer in the pavilion bar, the last one of the cricketing year and then it’s done. The wicket has been put to bed. The season is over. Until the next one. 

Tags: cricket words sport stewkley autumn

Mon, 24 Oct 2011 13:32:00 permalink

At Lords. 

Once in a while there’s something special about taking some time out just for yourself and settling down for an afternoon at Lords. Thanks to everyone who came down for making it a great day out. 

Tags: photo cricket sport stagdo lords sun

Mon, 01 Aug 2011 10:38:52 permalink

Lives of the Artists (2009) - A short review

Dir. Ross Cairns

In ‘Lives of the Artists’, Ross Cairns takes three different, but in his view, related ‘artists’. These are not painters or sculptors, but a British and Irish trio of surfers (Tom Lowe, Fergal Smith and Mickey Smith), a French  free-riding snowboarder (Xavier De La Rue) and a hardcore band from Watford (Gallows).

Cairns’ belief is that these disparate creative practitioners, through their commitment, dedication and the passioned execution of their various disciplines are true artists. They are able to communicate in a powerful yet abstract way. This thesis, here beautifully illustrated in high-definition and often in slow-motion, is often found in more cerebral soul sports publications, and when accompanied by such stunning cinematography is persuasive. However, Cairns’ exposition is undermined by his subjects.

To be an artist is to communicate, and all three subjects are communicative, both in their chosen fields and in individual pieces to camera. But to be an artist, as opposed to an aspiring artist, there must be something to communicate, a life lived. Unfortunately, as so often in soul sports and contemporary music, the candidates offered here know too little of life to be genuine artists.

That’s not say that the talents of those on show are not exemplary, and in time they may go on to excel and transcend their individual disciplines, but only Xavier De La Rue is able to suggest something other than committed obsession. In one chilling sequence De La Rue talks of his renewed resolve and love of the mountains after a near fatal avalanche. It’s a moving moment, especially when accompanied by footage of the ‘chute’.

Ultimately the film fails to prove the theory. It is a beautifully illustrated and argued point, but perhaps due to budget or sponsors involvement the triptych is uneven. This is unfortunate as Cairns is able to move effortlessly between the disciplines and carefully constructs his narrative. A flawed, but engaging film.

Tags: sport film review boarding soul surfing music

Sun, 07 Feb 2010 23:28:39 permalink

Sunday morning. It’s overcast, but dry. Along the top road at Goathurst Common not far from Sevenoaks, there’s a a gentle hum of rollers and turbos whirring as the riders warm up. A long queue of spectators stretches back from the tea hut and the smell of bacon fat mixes with sweat and embrocation. There’s a good crowd lining the upper slopes of Yorks Hill, 707 yards of gradient, for the 114th Catford Hill Climb. The oldest continuing cycle race in the world brings out all types of riders and plenty of supporters to urge, cheer and cajole them up the viscous climb. There’s an average gradient of 12.5% but with a couple of nasty sections of 25%.
More pictures on flickr.

Tags: cycling photo sport

Sun, 11 Oct 2009 16:51:00 permalink

Sunday afternoon. Under the silent gaze of the Thames Barrier and the few remaining sites that make it possible to avoid describing Greenwich Peninsula as post industrial, dinghy racers make their maneuvers. Greenwich Yacht Club is a hidden gem, tucked away near what is corporately known as the O2. It’s a friendly, welcoming place, with a cracking bar and amazing views, especially on bright autumn days.

It’s also another example of how London and especially SE London is hard to categorise. The mainstream media routinely fail to understand or connect with this part of London. In a couple of years the Olympics will be taking place just over the river from the yacht club. The rowing and sailing events will be taking place a long way from the east of London (at Windsor and the Solent). It probably wouldn’t be possible to hold all of the Olympic events on this stretch of the Thames - but I’m sure some of the events could take place within the M25.

More pics on flickr.

Tags: greenwich london olympics photo sport

Sun, 04 Oct 2009 19:19:00 permalink

A view of the cultural Olympiad getting underway in Greenwich Park (lo-res pic via iPhone)

Tags: greenwich photo iphone olympics sport

Fri, 26 Sep 2008 19:42:00 permalink

A day at the Test Match, more pictures here

Tags: cricket sport photo oval

Sat, 09 Aug 2008 00:25:00 permalink

Life before Betfair

Tags: photo cricket sport

Fri, 25 Jul 2008 09:03:00 permalink

Or maybe bikes and guitars are just cool

Usually practitioners get better with age (writers, conductors, visual artists, directors etc..). However the shelf life of sportsmen and pop culture musicians (to take the Adorno definition) seems to be relatively short, with a very narrow ‘sweet spot’. They are in many ways the pursuits of ‘young people’.

Perhaps this is why a certain type of person (usually men) obsess over sport and (usually obscure) music. It’s a way of holding on to (and in many ways enhancing) a lost adolescence.

Tags: sport soul

Fri, 25 Jul 2008 08:56:00 permalink